RVAL578562
The Lost Children
Disturbed
Archive presence
- Peak archive rank
- #13
- Weeks charted
- 13
- First charted
- Nov 26, 2011
- Last charted
- Feb 18, 2012
Album mood
Energy
95%
Valence
57%
Danceability
51%
Acousticness
0%
Instrumentalness
4%
Speechiness
8%
Liveness
15%
Avg track length
3:49
Tempo map
147 BPM
Signal density
-4 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 3 | 4:02 | 170 | C major | 96% | 59% | 49% | 0% | 0% | 49% | 7% | -2 DB | — | — |
| 2 | A Welcome Burden | 3:32 | 170 | C major | 94% | 58% | 54% | 0% | 0% | 9% | 6% | -2 DB | — | — |
| 3 | Dehumanized | 3:32 | 94 | A major | 99% | 63% | 61% | 0% | 0% | 29% | 8% | -3 DB | — | — |
| 4 | God of the Mind | 3:06 | 92 | C# major | 94% | 79% | 62% | 0% | 8% | 8% | 6% | -3 DB | — | — |
| 5 | Hell | 4:15 | 101 | G# major | 92% | 9% | 50% | 0% | 0% | 5% | 7% | -5 DB | — | — |
| 6 | Leave It Alone | 4:07 | 132 | C major | 97% | 47% | 56% | 0% | 2% | 17% | 7% | -2 DB | — | — |
| 7 | Living After Midnight | 4:26 | 132 | G# major | 88% | 70% | 70% | 0% | 0% | 5% | 7% | -5 DB | — | — |
| 8 | Midlife Crisis | 4:03 | 108 | B minor | 96% | 77% | 59% | 0% | 1% | 33% | 4% | -5 DB | — | — |
| 9 | Mine | 5:04 | 200 | C# major | 92% | 38% | 45% | 0% | 0% | 19% | 13% | -4 DB | — | — |
| 10 | Monster | 4:04 | 180 | C# major | 95% | 43% | 38% | 0% | 1% | 6% | 9% | -4 DB | — | — |
| 11 | Old Friend | 3:36 | 154 | A minor | 98% | 61% | 50% | 0% | 0% | 15% | 8% | -2 DB | — | — |
| 12 | Parasite | 3:25 | 164 | A# minor | 97% | 76% | 44% | 0% | 3% | 4% | 4% | -4 DB | — | — |
| 13 | Run | 3:13 | 172 | D major | 100% | 74% | 41% | 0% | 42% | 17% | 7% | -4 DB | — | — |
| 14 | Sickened | 3:59 | 168 | G minor | 96% | 41% | 39% | 0% | 0% | 4% | 13% | -4 DB | — | — |
| 15 | This Moment | 3:06 | 172 | C# major | 96% | 67% | 50% | 0% | 2% | 15% | 13% | -4 DB | — | — |
| 16 | Two Worlds | 3:33 | 141 | C# major | 95% | 51% | 52% | 0% | 1% | 6% | 11% | -3 DB | — | — |