Archive presence
- Peak archive rank
- #1
- Weeks charted
- 64
- First charted
- Jan 5, 1963
- Last charted
- Mar 21, 1964
Album mood
Energy
44%
Valence
51%
Danceability
53%
Acousticness
73%
Instrumentalness
0%
Speechiness
34%
Liveness
75%
Avg track length
3:23
Tempo map
109 BPM
Signal density
-14 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Al and Yetta (Alouette) | 3:26 | 129 | A# major | 33% | 71% | 69% | 80% | 0% | 66% | 8% | -13 DB | — | — |
| 2 | George M Cohan Hits, Barry Is the Baby's Name (Give My Regards to Broadway) [Harrigan] [Mary] | 2:16 | 121 | F major | 30% | 69% | 54% | 75% | 0% | 70% | 10% | -14 DB | — | — |
| 3 | Glory Glory Harry Lewis (Ballad of Harry Lewis) | 3:40 | 83 | G major | 45% | 30% | 41% | 80% | 0% | 73% | 42% | -14 DB | — | — |
| 4 | Gotta Jump Down Spin Around, Pick a Dress O' Cotton | 2:15 | 202 | G minor | 73% | 45% | 48% | 61% | 0% | 96% | 68% | -14 DB | — | — |
| 5 | Harvey and Sheila (Hava Nagila) | 3:36 | 98 | D# major | 25% | 51% | 53% | 49% | 0% | 80% | 12% | -14 DB | — | — |
| 6 | Let's All Call Up AT&t and Protest to the President March | 2:38 | 123 | D# major | 67% | 57% | 71% | 69% | 0% | 68% | 37% | -11 DB | — | — |
| 7 | Me (Come Back to Sorrento) | 2:36 | 83 | A# minor | 23% | 34% | 32% | 79% | 0% | 81% | 6% | -14 DB | — | — |
| 8 | Mexican Hat Dance (Jarabe Tapatío) | 2:04 | 109 | F major | 46% | 96% | 66% | 47% | 0% | 88% | 12% | -12 DB | — | — |
| 9 | My Zelda (Matilda) | 3:35 | 84 | C# major | 66% | 85% | 53% | 50% | 0% | 66% | 18% | -10 DB | — | — |
| 10 | No One's Perfect (No Ones Perfect) | 3:35 | 79 | A major | 18% | 11% | 25% | 92% | 0% | 70% | 9% | -19 DB | — | — |
| 11 | Oh Boy (Mexican Hand Clapping Song) | 4:04 | 155 | C# major | 50% | 32% | 44% | 72% | 0% | 72% | 68% | -14 DB | — | — |
| 12 | Sarah Jackman (Frere Jacques) | 2:28 | 63 | C# major | 31% | 56% | 43% | 81% | 0% | 70% | 23% | -12 DB | — | — |
| 13 | Seltzer Boy (Water Boy) | 3:29 | 77 | C# major | 33% | 38% | 45% | 73% | 0% | 85% | 46% | -15 DB | — | — |
| 14 | Shake Hands With Your Uncle Max, My Boy | 2:40 | 110 | G major | 34% | 57% | 52% | 76% | 0% | 67% | 30% | -12 DB | — | — |
| 15 | Shticks and Stones, Gimme Jack Cohn, Levittown,david Susskind, Mount Sinai Hospital, God Bless You Gerry Mendelbaum, the Painters Go Marching In, Yascha Got a Bottle, I Gave My Love a Chicken,catskill Ladies, Melvin Rose of Texas, Mammy's Little Baby Love | 5:43 | 77 | F major | 79% | 25% | 66% | 66% | 0% | 75% | 60% | -12 DB | — | — |
| 16 | Shticks of One and Half a Dozen of the Other,molly Malone,old Lang's Sign,billy Sol,cary Grant,moon Is Bright Tonight on the Carwash,on Top of Old Smokey,aura Lee,my Grandfather's Clock,coming Through the Rye,polyunsaturated Fats,don't Buy the Liverwurst | 5:49 | 102 | G minor | 77% | 48% | 73% | 73% | 0% | 72% | 63% | -10 DB | — | — |
| 17 | Sir Greenbaum's Madrigal (In Sherwood Forest There Dwelt a Knight) | 3:39 | 85 | D minor | 24% | 54% | 45% | 84% | 0% | 83% | 20% | -16 DB | — | — |
| 18 | Streets of Miami (Streets of Laredo) | 5:21 | 148 | E major | 23% | 23% | 49% | 79% | 0% | 83% | 37% | -17 DB | — | — |
| 19 | Tit Willow, the Bronx Bird Watcher | 3:13 | 149 | F major | 27% | 46% | 50% | 90% | 0% | 68% | 83% | -19 DB | — | — |
| 20 | When I Was a Lad I Went to Yale | 2:38 | 100 | C minor | 68% | 73% | 76% | 75% | 0% | 71% | 26% | -15 DB | — | — |
| 21 | Won't You Come Home Disraeli (Bill Bailey Won't You Please Come Home) | 2:22 | 109 | F major | 48% | 75% | 66% | 78% | 0% | 69% | 26% | -11 DB | — | — |
