RVAL837862
The 50 Greatest Pieces Of Classical Music
London Philharmonic Orchestra
Archive presence
- Peak archive rank
- #136
- Weeks charted
- 2
- First charted
- May 7, 2011
- Last charted
- Jan 19, 2019
Album mood
Energy
21%
Valence
22%
Danceability
30%
Acousticness
93%
Instrumentalness
73%
Speechiness
4%
Liveness
14%
Avg track length
5:16
Tempo map
107 BPM
Signal density
-17 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 14 Romances, Op. 34: No. 14, Vocalise (Lentamente, molto cantabile) | 5:51 | 92 | E minor | 23% | 4% | 12% | 92% | 86% | 26% | 4% | -16 DB | — | — |
| 2 | 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | 2:39 | 139 | G minor | 23% | 40% | 32% | 82% | 18% | 27% | 3% | -12 DB | — | — |
| 3 | 3 Gymnopédies: I. Lent et douloureux | 3:41 | 69 | G major | 1% | 32% | 46% | 100% | 96% | 10% | 8% | -28 DB | — | — |
| 4 | Adagio for Strings, Op. 11 | 8:23 | 76 | A# minor | 20% | 3% | 10% | 93% | 87% | 10% | 4% | -16 DB | — | — |
| 5 | Adagio in G Minor | 8:38 | 80 | C minor | 23% | 4% | 10% | 93% | 91% | 11% | 4% | -15 DB | — | — |
| 6 | Ave Maria, CG 89a | 2:34 | 89 | G major | 23% | 4% | 15% | 99% | 98% | 10% | 5% | -16 DB | — | — |
| 7 | Bagatelle in A Minor, WoO 59 "Für Elise" | 3:16 | 132 | A minor | 9% | 5% | 35% | 99% | 91% | 11% | 5% | -25 DB | — | — |
| 8 | Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro | 5:45 | 98 | G major | 37% | 80% | 61% | 96% | 70% | 11% | 5% | -15 DB | — | — |
| 9 | Canon and Gigue in D Major, P. 37: I. Canon | 3:30 | 137 | D major | 34% | 50% | 39% | 95% | 83% | 11% | 4% | -13 DB | — | — |
| 10 | Carmen Suite No. 2: II. Habanera | 2:13 | 121 | D major | 2% | 40% | 46% | 98% | 30% | 7% | 4% | -25 DB | — | — |
| 11 | Carmina Burana: O Fortuna | 2:43 | 137 | D minor | 31% | 34% | 39% | 96% | 5% | 9% | 3% | -13 DB | — | — |
| 12 | Cavatina | 4:00 | 79 | E major | 9% | 37% | 30% | 99% | 94% | 10% | 4% | -23 DB | — | — |
| 13 | Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | 3:39 | 100 | D minor | 29% | 77% | 61% | 93% | 3% | 25% | 5% | -16 DB | — | — |
| 14 | Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | 2:28 | 73 | G minor | 16% | 56% | 43% | 93% | 3% | 31% | 4% | -14 DB | — | — |
| 15 | Die Walkürie, WWV 86b, Act III: Ride of the Valkyries | 5:11 | 95 | B major | 42% | 11% | 21% | 92% | 93% | 12% | 3% | -12 DB | — | — |
| 16 | Die Zauberflöte (The Magic Flute), K. 620: Overture | 6:24 | 85 | A# major | 20% | 16% | 42% | 99% | 88% | 11% | 4% | -15 DB | — | — |
| 17 | Egmont, Op. 84: Overture in F Minor | 7:58 | 178 | F minor | 16% | 8% | 24% | 98% | 78% | 8% | 5% | -15 DB | — | — |
| 18 | Finlandia, Op. 26 | 8:06 | 137 | G# major | 19% | 7% | 19% | 94% | 89% | 9% | 4% | -16 DB | — | — |
| 19 | Il barbiere di Siviglia: Overture | 6:58 | 95 | E major | 27% | 44% | 42% | 86% | 84% | 26% | 4% | -14 DB | — | — |
| 20 | L'Arlesienne Suite No. 1, WD 40: I. Prelude | 6:53 | 115 | C minor | 12% | 5% | 26% | 98% | 86% | 9% | 4% | -16 DB | — | — |
| 21 | Les contes d'Hoffmann, Act III: Belle nuit, ô nuit d'amour "Barcarolle" (Instrumental Version) | 3:34 | 80 | D major | 14% | 7% | 19% | 95% | 53% | 27% | 3% | -20 DB | — | — |
| 22 | Messa da Requiem: II. Sequence, No. 1, Dies irae - Tuba mirum | 3:55 | 88 | D# major | 40% | 5% | 15% | 92% | 88% | 26% | 3% | -11 DB | — | — |
| 23 | Messiah, HWV 56, Pt. 2 Scene 7: No. 44, Hallelujah (Chorus) | 3:32 | 112 | D major | 41% | 49% | 48% | 96% | 23% | 27% | 3% | -11 DB | — | — |
| 24 | Má Vlast (My Fatherland): Vltava (The Moldau River) | 11:27 | 79 | G major | 24% | 5% | 19% | 85% | 79% | 11% | 3% | -14 DB | — | — |
| 25 | Nabucco, Act III: Chorus of the Hebrew Slaves, "Va pensiero, sull'ali dorate" | 4:59 | 124 | C# major | 9% | 6% | 22% | 99% | 76% | 10% | 4% | -16 DB | — | — |
| 26 | Nocturnes, Op. 9: No. 2, Andante in E-Flat Major | 4:53 | 101 | A# major | 3% | 12% | 43% | 99% | 88% | 8% | 4% | -25 DB | — | — |
| 27 | Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | 4:14 | 71 | D major | 21% | 10% | 18% | 98% | 86% | 15% | 4% | -18 DB | — | — |
| 28 | Pavane, Op. 50 | 5:07 | 82 | F# minor | 11% | 7% | 11% | 98% | 87% | 12% | 4% | -20 DB | — | — |
| 29 | Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | 3:45 | 132 | E major | 11% | 3% | 18% | 98% | 88% | 11% | 4% | -15 DB | — | — |
| 30 | Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | 2:43 | 105 | G major | 8% | 14% | 47% | 79% | 83% | 15% | 4% | -16 DB | — | — |
| 31 | Piano Concerto No. 21 in C Major, K. 467: II. Andante | 7:18 | 177 | F major | 11% | 10% | 17% | 98% | 87% | 10% | 4% | -21 DB | — | — |
| 32 | Piano Sonata No. 11 in A Major, K. 331: III. Alla turca | 3:25 | 137 | A major | 15% | 48% | 52% | 99% | 93% | 11% | 4% | -21 DB | — | — |
| 33 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | 5:37 | 170 | C# minor | 3% | 10% | 24% | 100% | 91% | 10% | 4% | -28 DB | — | — |
| 34 | Pomp and Circumstance, Op. 39: No. 1, March in D Major | 5:46 | 132 | D major | 43% | 32% | 27% | 69% | 76% | 7% | 4% | -12 DB | — | — |
| 35 | Radetzky March, Op. 228 | 3:06 | 104 | A major | 54% | 50% | 48% | 64% | 32% | 29% | 3% | -12 DB | — | — |
| 36 | Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | 2:49 | 96 | G minor | 20% | 4% | 17% | 99% | 95% | 18% | 4% | -14 DB | — | — |
| 37 | Serenade in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro | 5:51 | 138 | G major | 27% | 39% | 43% | 97% | 95% | 10% | 4% | -13 DB | — | — |
| 38 | Slavonic Dances, Op. 72: No. 2, Dumka (Allegretto grazioso) | 5:35 | 97 | C major | 30% | 9% | 17% | 83% | 86% | 10% | 3% | -13 DB | — | — |
| 39 | String Quintet in E Major, G. 282: III. Minuetto - Trio | 3:48 | 89 | A major | 6% | 54% | 58% | 96% | 29% | 32% | 3% | -21 DB | — | — |
| 40 | Suite bergamasque, L. 75: III. Clair de lune | 5:14 | 69 | C# major | 3% | 4% | 39% | 99% | 91% | 10% | 5% | -25 DB | — | — |
| 41 | Swan Lake, Op. 20a: No. 1, Scène | 3:02 | 77 | E minor | 26% | 4% | 12% | 88% | 91% | 28% | 4% | -14 DB | — | — |
| 42 | Symphony No. 40 in G Minor, K. 550: I. Allegro molto | 7:02 | 117 | G minor | 31% | 26% | 36% | 99% | 85% | 18% | 4% | -14 DB | — | — |
| 43 | Symphony No. 5 in C Minor, Op. 67 "Fate": Allegro con brio | 7:28 | 94 | C minor | 32% | 17% | 32% | 98% | 92% | 13% | 5% | -14 DB | — | — |
| 44 | Symphony No. 5, Pt. 3: IV. Adagietto | 11:01 | 85 | F major | 18% | 3% | 17% | 97% | 90% | 11% | 4% | -17 DB | — | — |
| 45 | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | 2:33 | 76 | D major | 63% | 33% | 23% | 84% | 0% | 11% | 4% | -10 DB | — | — |
| 46 | Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo | 12:49 | 133 | C# major | 3% | 3% | 16% | 98% | 94% | 9% | 4% | -24 DB | — | — |
| 47 | Thaïs, Act II: Méditation | 5:01 | 124 | D major | 20% | 4% | 19% | 72% | 58% | 13% | 5% | -17 DB | — | — |
| 48 | The Blue Danube, Op. 314 | 5:51 | 96 | D major | 18% | 26% | 31% | 97% | 79% | 7% | 3% | -14 DB | — | — |
| 49 | The Four Seasons, Violin Concerto in E Major, RV 269 "Spring": I. Allegro | 3:13 | 109 | E major | 17% | 22% | 49% | 75% | 75% | 12% | 4% | -16 DB | — | — |
| 50 | The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | 7:46 | 148 | G minor | 30% | 26% | 25% | 94% | 84% | 6% | 3% | -14 DB | — | — |