Archive presence
- Peak archive rank
- #96
- Weeks charted
- 16
- First charted
- Oct 11, 1969
- Last charted
- Feb 14, 1970
Album mood
Energy
50%
Valence
43%
Danceability
36%
Acousticness
73%
Instrumentalness
4%
Speechiness
12%
Liveness
73%
Avg track length
3:12
Tempo map
99 BPM
Signal density
-13 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | A Cat Named Sloopy - Live | 5:19 | 99 | C major | 39% | 39% | 41% | 93% | 0% | 80% | 40% | -17 DB | — | — |
| 2 | A News Stand at the San Francisco Airport - Live | 1:09 | 82 | C# major | 91% | 45% | 40% | 85% | 0% | 79% | 94% | -13 DB | — | — |
| 3 | Ally, Ally. Oxen Free - Live | 2:16 | 118 | D# major | 39% | 53% | 55% | 76% | 0% | 70% | 4% | -14 DB | — | — |
| 4 | Amsterdam (The Port of) Amsterdam - Live | 2:35 | 99 | F# minor | 46% | 48% | 48% | 73% | 0% | 12% | 4% | -9 DB | — | — |
| 5 | Bend Down and Touch Me - Live | 2:44 | 89 | D major | 27% | 24% | 28% | 88% | 2% | 96% | 3% | -15 DB | — | — |
| 6 | Blessings of the Day - Live | 3:33 | 83 | A major | 31% | 32% | 42% | 93% | 0% | 39% | 3% | -11 DB | — | — |
| 7 | Closing Remarks & Jean Playoff - Live | 1:47 | 78 | A# major | 46% | 58% | 31% | 67% | 1% | 15% | 5% | -10 DB | — | — |
| 8 | Closing Remarks & Playoff - Live | 0:59 | 87 | B minor | 45% | 6% | 35% | 33% | 0% | 14% | 20% | -14 DB | — | — |
| 9 | Come Jef - Live | 4:50 | 82 | A major | 49% | 39% | 36% | 82% | 0% | 69% | 9% | -10 DB | — | — |
| 10 | Do It Yourself Protest Songs & the Protest Waltz - Live | 3:08 | 106 | A major | 60% | 59% | 48% | 83% | 0% | 91% | 48% | -13 DB | — | — |
| 11 | Entre Act - Live | 4:06 | 115 | A# major | 46% | 45% | 27% | 69% | 40% | 51% | 4% | -13 DB | — | — |
| 12 | Everybody's Rich but Us - Live | 2:34 | 100 | A minor | 59% | 84% | 61% | 30% | 0% | 71% | 15% | -11 DB | — | — |
| 13 | Forty Without Fear - Live | 3:59 | 80 | F major | 64% | 61% | 29% | 82% | 0% | 71% | 6% | -9 DB | — | — |
| 14 | Gee It's Nice to Be Alone - Live | 3:05 | 83 | D major | 31% | 34% | 27% | 79% | 0% | 75% | 4% | -16 DB | — | — |
| 15 | Happy Is A Boy Named Me - Live | 1:35 | 86 | D major | 32% | 41% | 44% | 95% | 0% | 39% | 3% | -11 DB | — | — |
| 16 | I'll Catch the Sun - Live | 2:35 | 91 | A# major | 38% | 44% | 41% | 83% | 0% | 72% | 3% | -12 DB | — | — |
| 17 | I've Been to Town - Live | 2:47 | 82 | F minor | 38% | 38% | 25% | 69% | 0% | 93% | 6% | -14 DB | — | — |
| 18 | If We Never Meet Again - Live | 3:07 | 171 | C major | 46% | 37% | 18% | 77% | 0% | 87% | 5% | -12 DB | — | — |
| 19 | If You Go Away - Live | 4:29 | 175 | G minor | 31% | 17% | 23% | 82% | 0% | 96% | 9% | -18 DB | — | — |
| 20 | Jean - Live | 2:49 | 86 | F major | 36% | 46% | 34% | 90% | 0% | 92% | 5% | -15 DB | — | — |
| 21 | Joanna - Live | 2:01 | 81 | D minor | 81% | 70% | 50% | 47% | 0% | 96% | 10% | -9 DB | — | — |
| 22 | Kaleidoscope - Live | 2:52 | 133 | G major | 57% | 50% | 33% | 75% | 0% | 95% | 6% | -12 DB | — | — |
| 23 | Love's Been Good to Me - Live | 4:15 | 88 | C major | 43% | 44% | 52% | 56% | 0% | 97% | 3% | -14 DB | — | — |
| 24 | Many Summers Ago (Reflection) - Live | 4:34 | 77 | A major | 39% | 26% | 27% | 90% | 0% | 65% | 4% | -12 DB | — | — |
| 25 | Merci Beacoup - Live | 4:11 | 103 | C minor | 67% | 39% | 37% | 57% | 0% | 89% | 8% | -10 DB | — | — |
| 26 | Now I Have the Time - Live | 2:29 | 54 | D# major | 31% | 28% | 23% | 96% | 1% | 81% | 7% | -16 DB | — | — |
| 27 | Oliver Twist - Live | 2:03 | 83 | C major | 86% | 87% | 48% | 82% | 0% | 33% | 10% | -7 DB | — | — |
| 28 | Overture - Live | 4:22 | 68 | C minor | 54% | 38% | 16% | 20% | 41% | 94% | 6% | -12 DB | — | — |
| 29 | People on Their Birthdays - Live | 2:39 | 77 | C major | 29% | 42% | 43% | 74% | 0% | 92% | 5% | -15 DB | — | — |
| 30 | Play-Off: The World I Used To Know - Live | 0:34 | 136 | A major | 52% | 67% | 15% | 10% | 68% | 35% | 4% | -12 DB | — | — |
| 31 | Play-Off: The World I Used to Know, Birthday Greetings - Live | 2:11 | 134 | D major | 96% | 4% | 24% | 61% | 18% | 90% | 28% | -12 DB | — | — |
| 32 | Seasons in the Sun - Live | 5:39 | 81 | G major | 14% | 29% | 41% | 78% | 0% | 48% | 4% | -18 DB | — | — |
| 33 | So Long, Stay Well - Live | 1:42 | 100 | G minor | 57% | 72% | 43% | 59% | 0% | 97% | 7% | -12 DB | — | — |
| 34 | So Many Others - Live | 4:35 | 180 | C major | 25% | 32% | 36% | 93% | 0% | 76% | 4% | -17 DB | — | — |
| 35 | Stanyan Street - Live | 5:02 | 81 | F major | 46% | 13% | 39% | 84% | 0% | 68% | 55% | -18 DB | — | — |
| 36 | Surprise, Surprise - Live | 0:57 | 72 | D major | 100% | 2% | 31% | 79% | 0% | 97% | 26% | -10 DB | — | — |
| 37 | The Art of Catching Trains - Live | 5:32 | 91 | G# major | 38% | 32% | 36% | 66% | 0% | 94% | 7% | -17 DB | — | — |
| 38 | The Ballad of the Sad Young Men - Live | 4:38 | 73 | C# major | 38% | 27% | 26% | 89% | 2% | 68% | 6% | -12 DB | — | — |
| 39 | The Far Side of the Hill - Live | 3:59 | 87 | C major | 72% | 55% | 31% | 85% | 0% | 86% | 9% | -10 DB | — | — |
| 40 | The Importance of the Rose - Live | 3:55 | 103 | A# major | 42% | 54% | 47% | 69% | 0% | 84% | 4% | -13 DB | — | — |
| 41 | The Ivy That Clings to the Wall - Live | 3:47 | 173 | D# major | 28% | 23% | 17% | 92% | 0% | 93% | 4% | -15 DB | — | — |
| 42 | The Things Men Do - Live | 3:41 | 131 | D major | 65% | 66% | 50% | 60% | 0% | 89% | 11% | -10 DB | — | — |
| 43 | Till My Ship Comes In - Live | 1:47 | 112 | C# major | 37% | 53% | 40% | 87% | 0% | 39% | 4% | -11 DB | — | — |
| 44 | Time After Time - Live | 2:18 | 92 | A# major | 57% | 57% | 31% | 75% | 1% | 72% | 7% | -10 DB | — | — |
| 45 | To Watch the Trains - Live | 3:11 | 78 | D major | 37% | 36% | 43% | 79% | 0% | 94% | 6% | -15 DB | — | — |
| 46 | We - Live | 2:53 | 95 | C major | 38% | 36% | 40% | 72% | 0% | 71% | 3% | -13 DB | — | — |
| 47 | What'd I Say - Live | 4:54 | 77 | C# major | 93% | 53% | 26% | 78% | 0% | 70% | 39% | -6 DB | — | — |
| 48 | When Will the School Start Laughing? - Live | 3:50 | 101 | C major | 65% | 62% | 36% | 83% | 0% | 86% | 19% | -11 DB | — | — |
