Mellon Collie And The Infinite Sadness
The Smashing Pumpkins
Archive presence
- Peak archive rank
- #1
- Weeks charted
- 93
- First charted
- Nov 11, 1995
- Last charted
- Aug 30, 1997
Album mood
Energy
52%
Valence
35%
Danceability
44%
Acousticness
22%
Instrumentalness
58%
Speechiness
4%
Liveness
16%
Avg track length
4:06
Tempo map
116 BPM
Signal density
-11 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1979 - Remastered 2012 | 4:26 | 127 | D# major | 79% | 96% | 77% | 2% | 59% | 5% | 3% | -10 DB | — | — |
| 2 | 1979 - Sadlands Demo | 4:05 | 123 | G# major | 72% | 96% | 75% | 1% | 83% | 8% | 4% | -8 DB | — | — |
| 3 | An Ode To No One - Remastered 2012 | 4:52 | 123 | A# major | 86% | 21% | 38% | 0% | 82% | 14% | 8% | -9 DB | — | — |
| 4 | Ascending Guitars - Sadlands Demo | 3:12 | 144 | D# minor | 56% | 63% | 42% | 0% | 63% | 9% | 3% | -11 DB | — | — |
| 5 | Autumn Nocturne - Sadlands Demo | 1:30 | 178 | G major | 42% | 58% | 41% | 28% | 0% | 8% | 3% | -9 DB | — | — |
| 6 | Beautiful - Loop Version | 5:08 | 79 | A major | 55% | 30% | 42% | 0% | 82% | 14% | 3% | -11 DB | — | — |
| 7 | Beautiful - Remastered 2012 | 4:18 | 157 | D major | 53% | 39% | 45% | 0% | 51% | 9% | 3% | -11 DB | — | — |
| 8 | Bodies - Remastered 2012 | 4:12 | 108 | G# minor | 92% | 38% | 40% | 0% | 88% | 37% | 7% | -8 DB | — | — |
| 9 | Bullet With Butterfly Wings - Remastered 2012 | 4:18 | 122 | A# minor | 72% | 48% | 40% | 0% | 84% | 5% | 6% | -9 DB | — | — |
| 10 | Bullet With Butterfly Wings - Sadlands Demo | 4:34 | 121 | A# minor | 61% | 31% | 40% | 76% | 35% | 19% | 3% | -9 DB | — | — |
| 11 | By Starlight - Flood Rough | 4:31 | 103 | C major | 32% | 19% | 51% | 2% | 44% | 5% | 3% | -13 DB | — | — |
| 12 | By Starlight - Remastered 2012 | 4:48 | 105 | C major | 35% | 11% | 39% | 1% | 85% | 25% | 3% | -12 DB | — | — |
| 13 | Cupid De Locke - Remastered 2012 | 2:50 | 184 | G# major | 68% | 38% | 40% | 0% | 38% | 12% | 3% | -11 DB | — | — |
| 14 | Farewell And Goodnight - Remastered 2012 | 4:24 | 140 | B major | 30% | 18% | 65% | 81% | 1% | 8% | 3% | -15 DB | — | — |
| 15 | Feelium - Sandlands Demo | 4:22 | 118 | D# minor | 63% | 41% | 33% | 16% | 89% | 66% | 5% | -10 DB | — | — |
| 16 | Galapagos - Instrumental/Sadlands Demo | 3:54 | 118 | G major | 63% | 7% | 41% | 98% | 95% | 10% | 3% | -12 DB | — | — |
| 17 | Galapogos - Remastered 2012 | 4:46 | 121 | C# major | 41% | 4% | 36% | 2% | 74% | 35% | 3% | -14 DB | — | — |
| 18 | Glamey Glamey - Sadlands Demo | 3:06 | 74 | E major | 71% | 57% | 19% | 0% | 86% | 10% | 4% | -8 DB | — | — |
| 19 | Here Is No Why - Remastered 2012 | 3:45 | 81 | G# major | 65% | 60% | 27% | 0% | 90% | 14% | 3% | -7 DB | — | — |
| 20 | In The Arms Of Sleep - Early Live Demo | 3:51 | 95 | G# major | 32% | 24% | 41% | 13% | 83% | 12% | 3% | -15 DB | — | — |
| 21 | In The Arms Of Sleep - Remastered 2012 | 4:13 | 183 | G# major | 52% | 15% | 24% | 25% | 14% | 37% | 4% | -12 DB | — | — |
| 22 | Jellybelly - Remastered 2012 | 3:02 | 117 | C# major | 84% | 51% | 21% | 0% | 87% | 19% | 6% | -8 DB | — | — |
| 23 | Lily (My One And Only) - Remastered 2012 | 3:32 | 99 | C# major | 25% | 45% | 65% | 2% | 35% | 9% | 3% | -14 DB | — | — |
| 24 | Lily (My One And Only) - Sadlands Demo | 3:19 | 100 | F# major | 24% | 29% | 55% | 51% | 29% | 10% | 3% | -11 DB | — | — |
| 25 | Love - Remastered 2012 | 4:23 | 95 | F minor | 66% | 26% | 51% | 0% | 82% | 11% | 3% | -10 DB | — | — |
| 26 | Lover - Arrangement 1 Demo | 3:47 | 69 | G# minor | 14% | 25% | 59% | 67% | 84% | 10% | 4% | -13 DB | — | — |
| 27 | Medellia Of The Gray Skies - Take 1 | 3:05 | 111 | E minor | 46% | 58% | 46% | 44% | 0% | 21% | 3% | -11 DB | — | — |
| 28 | Meladori Magpie - Remastered 2012 | 2:44 | 93 | B minor | 39% | 85% | 64% | 12% | 0% | 9% | 3% | -14 DB | — | — |
| 29 | Mellon Collie And The Infinite Sadness - Home Piano Version | 2:45 | 81 | G major | 31% | 19% | 39% | 99% | 88% | 8% | 4% | -12 DB | — | — |
| 30 | Mellon Collie And The Infinite Sadness - Remastered 2012 | 2:53 | 97 | F# major | 3% | 14% | 27% | 96% | 77% | 12% | 3% | -22 DB | — | — |
| 31 | Methusela - Sadlands Demo | 4:09 | 111 | D# minor | 47% | 21% | 41% | 0% | 1% | 7% | 3% | -10 DB | — | — |
| 32 | Muzzle - Remastered 2012 | 3:44 | 90 | A# minor | 69% | 34% | 25% | 0% | 82% | 9% | 3% | -9 DB | — | — |
| 33 | Porcelina Of The Vast Oceans - Remastered 2012 | 9:22 | 111 | C# major | 44% | 5% | 31% | 0% | 77% | 7% | 3% | -11 DB | — | — |
| 34 | Stumbleine - Remastered 2012 | 2:54 | 122 | C# major | 15% | 27% | 62% | 84% | 76% | 15% | 4% | -19 DB | — | — |
| 35 | Take Me Down - Remastered 2012 | 2:54 | 66 | G# major | 18% | 7% | 45% | 76% | 83% | 11% | 3% | -18 DB | — | — |
| 36 | Tales Of A Scorched Earth - Remastered 2012 | 3:46 | 127 | G minor | 80% | 37% | 24% | 1% | 87% | 61% | 7% | -11 DB | — | — |
| 37 | Thirty-Three - Remastered 2012 | 4:10 | 127 | F# major | 33% | 8% | 61% | 0% | 40% | 15% | 3% | -13 DB | — | — |
| 38 | Thru The Eyes Of Ruby - Remastered 2012 | 7:38 | 141 | F minor | 48% | 14% | 26% | 0% | 86% | 8% | 3% | -10 DB | — | — |
| 39 | Thru The Eyes Of Ruby - Take 7 | 5:49 | 119 | C# major | 50% | 64% | 69% | 1% | 26% | 11% | 3% | -9 DB | — | — |
| 40 | To Forgive - Remastered 2012 | 4:17 | 127 | C# major | 31% | 5% | 58% | 2% | 76% | 11% | 3% | -13 DB | — | — |
| 41 | To Forgive - Sadlands Demo | 3:46 | 140 | C# major | 32% | 21% | 47% | 52% | 0% | 21% | 3% | -10 DB | — | — |
| 42 | Tonight, Tonight - Remastered 2012 | 4:15 | 149 | F# major | 67% | 22% | 29% | 0% | 75% | 24% | 4% | -9 DB | — | — |
| 43 | Tonight, Tonight - Strings Alone Mix | 2:41 | 75 | F# major | 35% | 13% | 23% | 10% | 93% | 29% | 4% | -8 DB | — | — |
| 44 | Ugly - Sadlands Demo | 2:47 | 111 | D# minor | 42% | 39% | 62% | 78% | 0% | 26% | 3% | -9 DB | — | — |
| 45 | We Only Come Out At Night - Remastered 2012 | 4:05 | 107 | C major | 41% | 38% | 64% | 70% | 32% | 7% | 3% | -12 DB | — | — |
| 46 | Where Boys Fear To Tread - Remastered 2012 | 4:24 | 113 | B major | 76% | 45% | 48% | 0% | 79% | 33% | 5% | -9 DB | — | — |
| 47 | X.Y.U. - Remastered 2012 | 7:07 | 114 | B major | 74% | 24% | 32% | 0% | 75% | 21% | 5% | -8 DB | — | — |
| 48 | X.Y.U. - Take 11 | 7:11 | 115 | G# major | 86% | 8% | 27% | 0% | 35% | 15% | 11% | -8 DB | — | — |
| 49 | Zero - Remastered 2012 | 2:40 | 128 | G# major | 73% | 71% | 44% | 0% | 55% | 5% | 5% | -7 DB | — | — |
| 50 | Zero - Synth Mix | 2:47 | 128 | G# minor | 89% | 88% | 43% | 0% | 35% | 6% | 3% | -9 DB | — | — |