RVAL665293
The Three Musketeers
Soundtrack
Archive presence
- Peak archive rank
- #101
- Weeks charted
- 14
- First charted
- Dec 4, 1993
- Last charted
- Mar 5, 1994
Album mood
Energy
29%
Valence
19%
Danceability
25%
Acousticness
56%
Instrumentalness
65%
Speechiness
4%
Liveness
21%
Avg track length
1:20
Tempo map
103 BPM
Signal density
-17 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | A Fool's Game | 1:46 | 89 | F minor | 10% | 3% | 13% | 98% | 95% | 9% | 4% | -26 DB | — | — |
| 2 | A Musketeer's Heart | 1:14 | 64 | C# minor | 19% | 4% | 21% | 57% | 99% | 17% | 3% | -19 DB | — | — |
| 3 | After Rochefort | 0:56 | 138 | B major | 49% | 21% | 30% | 33% | 77% | 10% | 3% | -12 DB | — | — |
| 4 | Allemande | 2:05 | 108 | G major | 30% | 64% | 28% | 1% | 4% | 14% | 4% | -14 DB | — | — |
| 5 | Ambush | 3:32 | 143 | C# major | 46% | 13% | 22% | 2% | 65% | 9% | 4% | -15 DB | — | — |
| 6 | Checkmate | 0:44 | 111 | F minor | 34% | 36% | 32% | 28% | 97% | 40% | 4% | -16 DB | — | — |
| 7 | Cheer Up/The King's Musketeers | 0:49 | 58 | G major | 16% | 4% | 25% | 95% | 4% | 8% | 5% | -19 DB | — | — |
| 8 | Constance | 2:24 | 84 | A# minor | 53% | 14% | 18% | 3% | 5% | 11% | 4% | -15 DB | — | — |
| 9 | Courante | 1:52 | 103 | A major | 28% | 35% | 44% | 40% | 51% | 12% | 3% | -17 DB | — | — |
| 10 | D'Artagnan the Prisoner | 0:33 | 132 | C major | 30% | 4% | 21% | 72% | 90% | 64% | 4% | -17 DB | — | — |
| 11 | D'Arty and His Father | 0:41 | 76 | C major | 22% | 15% | 29% | 87% | 98% | 21% | 5% | -17 DB | — | — |
| 12 | Eavesdrop | 0:24 | 116 | D# major | 24% | 3% | 29% | 86% | 76% | 11% | 5% | -17 DB | — | — |
| 13 | Evil Plots | 0:59 | 83 | C major | 21% | 3% | 18% | 93% | 94% | 22% | 4% | -22 DB | — | — |
| 14 | Father's Wise Words | 0:47 | 111 | A# major | 6% | 5% | 17% | 94% | 96% | 14% | 5% | -26 DB | — | — |
| 15 | Goodbyes | 0:34 | 168 | F# minor | 4% | 46% | 40% | 75% | 88% | 10% | 8% | -20 DB | — | — |
| 16 | He Met Her at the Tavern | 1:23 | 75 | G major | 21% | 54% | 43% | 37% | 98% | 16% | 3% | -19 DB | — | — |
| 17 | Knighting of D'Artagnan | 2:09 | 88 | A major | 21% | 4% | 10% | 98% | 86% | 14% | 4% | -17 DB | — | — |
| 18 | Les Merlaison | 1:26 | 171 | F# major | 23% | 55% | 23% | 2% | 33% | 17% | 4% | -16 DB | — | — |
| 19 | Les Sauvages | 4:04 | 83 | C minor | 35% | 71% | 28% | 6% | 2% | 53% | 3% | -15 DB | — | — |
| 20 | Matters of the Heart | 0:30 | 0 | C major | 6% | 0% | 0% | 88% | 82% | 11% | 0% | -23 DB | — | — |
| 21 | Mauriac | 0:51 | 77 | G major | 23% | 29% | 18% | 62% | 91% | 8% | 3% | -18 DB | — | — |
| 22 | Milady and the Cardinal | 1:25 | 62 | D major | 50% | 14% | 23% | 80% | 14% | 55% | 6% | -18 DB | — | — |
| 23 | Milady Revealed/The Siege of La Rochelle | 2:35 | 131 | C major | 59% | 9% | 19% | 55% | 59% | 25% | 6% | -12 DB | — | — |
| 24 | Milady, The Countess de Winter | 0:59 | 78 | E major | 27% | 3% | 7% | 99% | 90% | 13% | 4% | -23 DB | — | — |
| 25 | Montage | 2:05 | 120 | D minor | 37% | 4% | 19% | 31% | 89% | 12% | 4% | -17 DB | — | — |
| 26 | Pasacaglia for Revenge | 3:34 | 141 | F major | 60% | 10% | 15% | 3% | 0% | 18% | 5% | -12 DB | — | — |
| 27 | Race to England | 0:34 | 117 | A minor | 7% | 7% | 24% | 99% | 94% | 14% | 4% | -19 DB | — | — |
| 28 | Rochefort | 0:36 | 122 | E major | 44% | 24% | 26% | 7% | 97% | 30% | 4% | -16 DB | — | — |
| 29 | Rosary Beads | 0:38 | 95 | G major | 31% | 4% | 21% | 61% | 76% | 12% | 4% | -11 DB | — | — |
| 30 | Saving Athos/In Love | 0:39 | 79 | B major | 8% | 18% | 26% | 93% | 96% | 23% | 5% | -16 DB | — | — |
| 31 | Sister | 0:53 | 120 | C major | 20% | 18% | 43% | 79% | 11% | 26% | 4% | -19 DB | — | — |
| 32 | Song of the Maid | 1:17 | 180 | B minor | 27% | 73% | 54% | 42% | 90% | 18% | 5% | -19 DB | — | — |
| 33 | Storybook Villians/The Convent of the Sacred Heart | 1:34 | 92 | F major | 13% | 4% | 27% | 65% | 95% | 29% | 4% | -16 DB | — | — |
| 34 | The Ball | 1:12 | 132 | B major | 45% | 14% | 34% | 64% | 71% | 12% | 4% | -16 DB | — | — |
| 35 | The Beggar | 1:02 | 112 | A minor | 42% | 4% | 28% | 94% | 87% | 29% | 6% | -15 DB | — | — |
| 36 | The Count/Finale | 0:48 | 105 | A major | 32% | 36% | 26% | 36% | 90% | 28% | 4% | -14 DB | — | — |
| 37 | The Plans | 0:28 | 82 | A# major | 25% | 14% | 22% | 31% | 20% | 36% | 4% | -15 DB | — | — |
| 38 | The Poison | 1:51 | 67 | C# minor | 45% | 4% | 6% | 39% | 73% | 14% | 4% | -16 DB | — | — |
| 39 | The Royal Garden | 0:48 | 83 | E major | 16% | 16% | 28% | 37% | 6% | 31% | 4% | -20 DB | — | — |
| 40 | The Shadows of Luxembourg Palace | 0:43 | 73 | G# major | 1% | 4% | 14% | 71% | 72% | 10% | 4% | -24 DB | — | — |
| 41 | There's Four of Us | 3:00 | 133 | C# major | 50% | 11% | 30% | 1% | 6% | 31% | 4% | -14 DB | — | — |
| 42 | Treville | 0:29 | 123 | F# minor | 59% | 34% | 55% | 89% | 21% | 9% | 7% | -11 DB | — | — |
| 43 | War on the Cardinal | 0:35 | 119 | F major | 43% | 25% | 18% | 86% | 86% | 16% | 4% | -16 DB | — | — |