Harper Valley P.T.A.
Jeannie C. Riley
Archive presence
- Peak archive rank
- #12
- Weeks charted
- 27
- First charted
- Oct 12, 1968
- Last charted
- Apr 12, 1969
Album mood
Energy
43%
Valence
80%
Danceability
68%
Acousticness
64%
Instrumentalness
1%
Speechiness
4%
Liveness
17%
Avg track length
2:44
Tempo map
119 BPM
Signal density
-14 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | A Change of Heart | 2:18 | 117 | F major | 56% | 93% | 67% | 82% | 0% | 36% | 5% | -12 DB | — | — |
| 2 | A Real Woman | 2:12 | 130 | D# major | 45% | 92% | 79% | 46% | 0% | 12% | 4% | -13 DB | — | — |
| 3 | A Taste of Tears | 2:42 | 180 | C major | 21% | 25% | 42% | 80% | 0% | 11% | 4% | -12 DB | — | — |
| 4 | Am I That Easy to Forget? | 2:34 | 113 | A# major | 30% | 60% | 54% | 95% | 0% | 25% | 3% | -10 DB | — | — |
| 5 | Back to School | 3:00 | 97 | G# major | 41% | 67% | 71% | 38% | 0% | 6% | 3% | -10 DB | — | — |
| 6 | Box of Memories | 2:31 | 85 | C major | 51% | 96% | 81% | 64% | 0% | 7% | 5% | -10 DB | — | — |
| 7 | Country Girl | 2:37 | 113 | C major | 31% | 68% | 58% | 93% | 8% | 15% | 3% | -17 DB | — | — |
| 8 | Darling Days | 3:01 | 104 | G# major | 33% | 63% | 55% | 88% | 0% | 20% | 3% | -10 DB | — | — |
| 9 | Edna Burgoo | 3:39 | 96 | F major | 52% | 97% | 79% | 54% | 0% | 14% | 4% | -11 DB | — | — |
| 10 | Fine Feathered Fowl | 3:31 | 101 | A major | 69% | 70% | 69% | 60% | 0% | 19% | 3% | -11 DB | — | — |
| 11 | Harper Valley P.T.A. | 3:14 | 122 | E major | 45% | 96% | 80% | 63% | 0% | 7% | 4% | -13 DB | — | — |
| 12 | I Almost Called Your Name | 2:34 | 97 | A major | 54% | 77% | 58% | 86% | 0% | 29% | 3% | -10 DB | — | — |
| 13 | I Love Him | 2:41 | 111 | A major | 43% | 52% | 61% | 90% | 4% | 12% | 3% | -12 DB | — | — |
| 14 | I'm Only a Woman | 2:41 | 109 | G# major | 6% | 57% | 73% | 77% | 0% | 9% | 4% | -26 DB | — | — |
| 15 | I'm the Woman | 2:24 | 132 | D major | 34% | 97% | 74% | 39% | 0% | 14% | 3% | -22 DB | — | — |
| 16 | Mr. Harper | 2:06 | 121 | G major | 42% | 85% | 72% | 70% | 0% | 17% | 3% | -13 DB | — | — |
| 17 | My Scrapbook | 3:12 | 104 | G major | 28% | 55% | 56% | 84% | 0% | 16% | 3% | -10 DB | — | — |
| 18 | No Brass Band | 2:23 | 101 | C major | 45% | 93% | 67% | 71% | 0% | 17% | 3% | -13 DB | — | — |
| 19 | Our Minnie | 3:32 | 121 | A major | 16% | 88% | 74% | 74% | 0% | 11% | 4% | -26 DB | — | — |
| 20 | Run, Jeannie, Run | 3:22 | 141 | D major | 37% | 77% | 63% | 78% | 0% | 20% | 3% | -14 DB | — | — |
| 21 | Satan Place | 3:17 | 129 | B major | 51% | 85% | 80% | 59% | 0% | 13% | 5% | -13 DB | — | — |
| 22 | Shed Me No Tears | 2:04 | 168 | G major | 47% | 84% | 52% | 73% | 0% | 15% | 3% | -12 DB | — | — |
| 23 | Sippin' Shirley Thompson | 2:06 | 124 | C major | 54% | 97% | 74% | 56% | 0% | 18% | 4% | -12 DB | — | — |
| 24 | Sunday After Church | 2:55 | 89 | G# major | 11% | 67% | 68% | 89% | 0% | 11% | 4% | -21 DB | — | — |
| 25 | Teardrops on Page Forty-Three | 2:42 | 86 | C major | 26% | 36% | 53% | 81% | 0% | 30% | 3% | -11 DB | — | — |
| 26 | That's a No-No | 1:58 | 110 | A major | 78% | 92% | 73% | 80% | 0% | 35% | 4% | -9 DB | — | — |
| 27 | That's How It Is with Him and Me | 2:25 | 97 | C# minor | 48% | 86% | 76% | 49% | 0% | 42% | 8% | -15 DB | — | — |
| 28 | The Artist | 2:27 | 99 | G minor | 22% | 97% | 72% | 50% | 0% | 11% | 3% | -22 DB | — | — |
| 29 | The Back Side of Dallas | 2:34 | 120 | B major | 48% | 86% | 76% | 59% | 0% | 52% | 5% | -15 DB | — | — |
| 30 | The Ballad of Louise | 2:54 | 82 | D major | 24% | 46% | 53% | 75% | 0% | 20% | 3% | -11 DB | — | — |
| 31 | The Cotton Patch | 3:31 | 123 | D# major | 54% | 79% | 76% | 80% | 6% | 13% | 5% | -15 DB | — | — |
| 32 | The Generation Gap | 2:44 | 152 | C major | 60% | 96% | 66% | 90% | 8% | 9% | 3% | -13 DB | — | — |
| 33 | The Girl Most Likely | 2:09 | 188 | F major | 71% | 94% | 64% | 31% | 0% | 10% | 9% | -12 DB | — | — |
| 34 | The Little Town Square | 2:15 | 164 | F major | 75% | 94% | 73% | 44% | 0% | 8% | 11% | -11 DB | — | — |
| 35 | The Part of Honey | 2:36 | 122 | D# minor | 48% | 85% | 79% | 37% | 0% | 13% | 4% | -10 DB | — | — |
| 36 | The Rib | 3:55 | 108 | A# major | 4% | 73% | 72% | 91% | 0% | 11% | 4% | -25 DB | — | — |
| 37 | The Wedding Cake | 2:59 | 167 | C major | 49% | 93% | 58% | 25% | 0% | 5% | 3% | -13 DB | — | — |
| 38 | There Never Was a Time | 2:40 | 89 | C minor | 24% | 92% | 71% | 77% | 0% | 15% | 6% | -17 DB | — | — |
| 39 | Thin Ribbon of Smoke | 2:56 | 123 | G major | 39% | 85% | 74% | 33% | 0% | 8% | 4% | -11 DB | — | — |
| 40 | Things Go Better with Love | 2:13 | 159 | D major | 38% | 92% | 57% | 24% | 0% | 33% | 3% | -15 DB | — | — |
| 41 | We Were Raised on Love | 2:37 | 91 | D# major | 59% | 97% | 72% | 66% | 0% | 12% | 4% | -12 DB | — | — |
| 42 | What Was Her Name? | 3:54 | 128 | F major | 27% | 69% | 67% | 75% | 0% | 32% | 4% | -12 DB | — | — |
| 43 | Whatever Happened to Charlie Brown? | 2:16 | 86 | A major | 60% | 97% | 77% | 51% | 0% | 5% | 4% | -11 DB | — | — |
| 44 | Wherever You Are | 3:02 | 114 | G# major | 57% | 96% | 67% | 65% | 0% | 30% | 3% | -11 DB | — | — |
| 45 | Widow Jones | 2:30 | 126 | A# major | 56% | 93% | 83% | 52% | 0% | 11% | 4% | -13 DB | — | — |
| 46 | Wish You Were Here | 2:09 | 104 | D major | 74% | 72% | 66% | 69% | 0% | 33% | 3% | -11 DB | — | — |
| 47 | Words, Names, Faces | 2:00 | 129 | A# major | 75% | 97% | 67% | 8% | 0% | 16% | 4% | -10 DB | — | — |
| 48 | Yearbooks and Yesterdays | 3:25 | 122 | F# major | 38% | 96% | 77% | 54% | 0% | 11% | 4% | -13 DB | — | — |
| 49 | Yesterday, All Day Long Today | 2:22 | 125 | B major | 27% | 55% | 59% | 78% | 0% | 9% | 3% | -13 DB | — | — |
| 50 | Your Old Love Letters | 2:47 | 108 | G# major | 42% | 77% | 58% | 77% | 0% | 23% | 3% | -11 DB | — | — |