Archive presence
- Peak archive rank
- #7
- Weeks charted
- 206
- First charted
- Oct 31, 1964
- Last charted
- May 3, 1969
Album mood
Energy
27%
Valence
62%
Danceability
55%
Acousticness
88%
Instrumentalness
4%
Speechiness
46%
Liveness
27%
Avg track length
2:40
Tempo map
115 BPM
Signal density
-18 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Anatevka | 3:13 | 99 | G major | 16% | 23% | 50% | 85% | 0% | 10% | 12% | -18 DB | — | — |
| 2 | Do You Love Me? | 3:08 | 139 | F major | 13% | 33% | 54% | 93% | 0% | 9% | 16% | -18 DB | — | — |
| 3 | Far from the Home I Love | 3:30 | 90 | C major | 16% | 42% | 41% | 90% | 0% | 15% | 9% | -16 DB | — | — |
| 4 | How Much Richer Could One Man Be? (Bonus Track) | 1:15 | 155 | D minor | 41% | 81% | 37% | 89% | 0% | 74% | 23% | -16 DB | — | — |
| 5 | If I Were a Rich Man | 4:55 | 76 | C# major | 29% | 56% | 48% | 92% | 0% | 10% | 27% | -15 DB | — | — |
| 6 | If I Were a Rich Man (Bonus Track) | 3:30 | 151 | C major | 22% | 51% | 41% | 93% | 33% | 39% | 10% | -16 DB | — | — |
| 7 | Matchmaker | 3:43 | 129 | A major | 25% | 61% | 63% | 89% | 0% | 36% | 21% | -15 DB | — | — |
| 8 | Miracle of Miracles | 2:01 | 150 | D major | 46% | 88% | 49% | 86% | 0% | 18% | 7% | -12 DB | — | — |
| 9 | Now I Have Everything | 2:03 | 107 | G major | 22% | 56% | 50% | 92% | 0% | 13% | 4% | -14 DB | — | — |
| 10 | Prologue: Tradition | 6:54 | 78 | G major | 39% | 49% | 53% | 81% | 0% | 11% | 24% | -13 DB | — | — |
| 11 | Sabbath Prayer | 2:27 | 125 | F major | 20% | 22% | 28% | 97% | 0% | 14% | 3% | -15 DB | — | — |
| 12 | Spoken Commentary: A musical with a sad ending (Bonus Track) | 1:51 | 118 | B major | 12% | 72% | 72% | 97% | 0% | 14% | 93% | -23 DB | — | — |
| 13 | Spoken Commentary: Along the way we dropped a number of songs (Bonus Track) | 0:48 | 94 | F major | 30% | 83% | 58% | 75% | 0% | 66% | 76% | -17 DB | — | — |
| 14 | Spoken Commentary: Do You Love Me? (Bonus Track) | 3:22 | 118 | A# minor | 14% | 61% | 72% | 91% | 0% | 18% | 93% | -25 DB | — | — |
| 15 | Spoken Commentary: Here's a song that was to have been in Fiddler (Bonus Track) | 0:17 | 91 | D minor | 24% | 93% | 68% | 80% | 0% | 26% | 27% | -20 DB | — | — |
| 16 | Spoken Commentary: It's very seldom that Jerry Bock and I have written for stars (Bonus Track) | 1:07 | 84 | A major | 35% | 89% | 61% | 83% | 0% | 86% | 93% | -19 DB | — | — |
| 17 | Spoken Commentary: Sunrise, Sunset (Bonus Track) | 1:57 | 142 | F# major | 16% | 62% | 68% | 93% | 0% | 16% | 94% | -24 DB | — | — |
| 18 | Spoken Commentary: The appeal of the show (Bonus Track) | 1:04 | 70 | F# major | 6% | 56% | 72% | 87% | 0% | 17% | 90% | -25 DB | — | — |
| 19 | Spoken Commentary: The recording session (Bonus Track) | 0:57 | 156 | D major | 14% | 78% | 65% | 96% | 0% | 29% | 95% | -23 DB | — | — |
| 20 | Spoken Commentary: Where the dancing girls went (Bonus Track) | 1:27 | 101 | G major | 13% | 76% | 72% | 94% | 0% | 20% | 94% | -24 DB | — | — |
| 21 | Spoken Commentary: Zero (Bonus Track) | 1:32 | 132 | C minor | 9% | 68% | 69% | 93% | 0% | 23% | 94% | -26 DB | — | — |
| 22 | Sunrise, Sunset | 3:33 | 122 | A# minor | 16% | 45% | 37% | 88% | 0% | 12% | 3% | -15 DB | — | — |
| 23 | The Dream | 6:08 | 77 | A# major | 44% | 51% | 54% | 86% | 0% | 34% | 69% | -13 DB | — | — |
| 24 | The Rumor | 1:52 | 149 | A# minor | 34% | 78% | 64% | 82% | 0% | 8% | 58% | -16 DB | — | — |
| 25 | To Life | 4:11 | 135 | F minor | 58% | 70% | 56% | 85% | 0% | 27% | 16% | -12 DB | — | — |
| 26 | Wedding Dance | 2:12 | 93 | G major | 51% | 59% | 32% | 90% | 83% | 9% | 11% | -11 DB | — | — |
| 27 | When Messiah Comes (Bonus Track) | 2:58 | 110 | C major | 65% | 77% | 50% | 83% | 0% | 72% | 70% | -14 DB | — | — |
