Mirrorball
Sarah McLachlan
Archive presence
- Peak archive rank
- #3
- Weeks charted
- 68
- First charted
- Jul 3, 1999
- Last charted
- Feb 3, 2001
Album mood
Energy
60%
Valence
32%
Danceability
38%
Acousticness
25%
Instrumentalness
0%
Speechiness
4%
Liveness
74%
Avg track length
4:45
Tempo map
121 BPM
Signal density
-9 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Adia | 3:51 | 82 | D# major | 54% | 25% | 43% | 59% | 0% | 77% | 3% | -8 DB | — | — |
| 2 | Angel | 6:14 | 89 | D major | 23% | 26% | 29% | 95% | 0% | 79% | 4% | -13 DB | — | — |
| 3 | Building A Mystery | 4:23 | 171 | D major | 70% | 26% | 23% | 13% | 0% | 84% | 3% | -7 DB | — | — |
| 4 | Do What You Have to Do - Live | 4:08 | 93 | D major | 28% | 26% | 40% | 94% | 0% | 78% | 4% | -14 DB | — | — |
| 5 | Elsewhere - Live | 5:06 | 152 | E minor | 67% | 48% | 26% | 3% | 0% | 97% | 4% | -8 DB | — | — |
| 6 | Fear | 4:44 | 80 | F# minor | 43% | 19% | 22% | 17% | 0% | 40% | 3% | -9 DB | — | — |
| 7 | Fumbling Toward Ecstasy - Live | 6:04 | 169 | C# major | 81% | 41% | 37% | 1% | 0% | 98% | 6% | -8 DB | — | — |
| 8 | Good Enough | 5:00 | 96 | A major | 55% | 30% | 41% | 7% | 0% | 98% | 3% | -9 DB | — | — |
| 9 | Hold On | 5:10 | 146 | A major | 46% | 9% | 27% | 14% | 0% | 77% | 3% | -9 DB | — | — |
| 10 | I Love You | 4:25 | 113 | G# major | 44% | 23% | 53% | 24% | 5% | 95% | 3% | -12 DB | — | — |
| 11 | I Will Not Forget You | 5:45 | 183 | F major | 60% | 22% | 29% | 16% | 0% | 67% | 4% | -8 DB | — | — |
| 12 | I Will Remember You - Live | 3:33 | 76 | A major | 49% | 39% | 45% | 47% | 0% | 69% | 3% | -10 DB | — | — |
| 13 | Ice - Live | 4:39 | 125 | F minor | 31% | 9% | 30% | 76% | 0% | 78% | 3% | -13 DB | — | — |
| 14 | Ice Cream | 4:38 | 143 | G# minor | 66% | 47% | 31% | 49% | 1% | 74% | 8% | -10 DB | — | — |
| 15 | Into The Fire | 3:46 | 107 | B minor | 92% | 47% | 47% | 0% | 0% | 89% | 5% | -6 DB | — | — |
| 16 | Mary | 4:01 | 93 | C major | 55% | 63% | 35% | 16% | 0% | 13% | 3% | -10 DB | — | — |
| 17 | Plenty | 3:19 | 121 | G minor | 84% | 35% | 44% | 1% | 0% | 94% | 4% | -6 DB | — | — |
| 18 | Possession | 5:13 | 100 | A major | 87% | 50% | 49% | 1% | 0% | 72% | 4% | -7 DB | — | — |
| 19 | Sweet Surrender | 4:07 | 113 | F# minor | 83% | 46% | 60% | 0% | 0% | 69% | 3% | -8 DB | — | — |
| 20 | The Path of Thorns (Terms) | 6:33 | 92 | B major | 48% | 23% | 49% | 41% | 0% | 14% | 3% | -11 DB | — | — |
| 21 | Vox | 5:11 | 102 | C major | 82% | 51% | 41% | 1% | 0% | 95% | 3% | -7 DB | — | — |
| 22 | Wait | 4:49 | 204 | C minor | 72% | 11% | 20% | 8% | 0% | 69% | 5% | -7 DB | — | — |
| 23 | Witness | 4:43 | 135 | E major | 60% | 25% | 47% | 2% | 0% | 77% | 3% | -7 DB | — | — |