RVAL129030
Archive presence
- Peak archive rank
- #9
- Weeks charted
- 32
- First charted
- Dec 25, 1965
- Last charted
- Jul 30, 1966
Album mood
Energy
21%
Valence
45%
Danceability
43%
Acousticness
74%
Instrumentalness
0%
Speechiness
11%
Liveness
23%
Avg track length
3:13
Tempo map
110 BPM
Signal density
-18 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | (How Little It Matters) How Little We Know | 2:15 | 128 | F major | 19% | 69% | 55% | 80% | 0% | 16% | 4% | -17 DB | — | — |
| 2 | All Or Nothing | 4:25 | 79 | C minor | 8% | 29% | 32% | 80% | 0% | 12% | 4% | -19 DB | — | — |
| 3 | All The Way | 3:55 | 82 | C major | 20% | 25% | 23% | 78% | 0% | 35% | 3% | -17 DB | — | — |
| 4 | Call Me Irresponsible | 2:46 | 86 | A# major | 16% | 39% | 45% | 86% | 0% | 26% | 10% | -19 DB | — | — |
| 5 | Come Fly With Me | 2:11 | 139 | A# major | 34% | 70% | 49% | 72% | 0% | 30% | 7% | -15 DB | — | — |
| 6 | Fly Me To The Moon | 2:29 | 118 | F major | 27% | 39% | 62% | 34% | 0% | 4% | 8% | -15 DB | — | — |
| 7 | From Here To Eternity - 1965 Version | 2:46 | 118 | G major | 27% | 24% | 47% | 83% | 0% | 27% | 82% | -29 DB | — | — |
| 8 | I'll Be Seeing You | 3:05 | 118 | C major | 26% | 60% | 67% | 69% | 0% | 45% | 4% | -14 DB | — | — |
| 9 | I'll Never Smile Again | 2:48 | 169 | A# major | 8% | 39% | 38% | 90% | 0% | 27% | 5% | -21 DB | — | — |
| 10 | I've Got You Under My Skin | 3:30 | 136 | C# major | 34% | 67% | 49% | 67% | 0% | 14% | 4% | -15 DB | — | — |
| 11 | In The Wee Small Hours Of The Morning - 1965 Version | 2:41 | 71 | A# major | 8% | 18% | 22% | 93% | 0% | 13% | 3% | -20 DB | — | — |
| 12 | Learnin' The Blues | 2:30 | 117 | F minor | 19% | 68% | 50% | 75% | 0% | 9% | 4% | -17 DB | — | — |
| 13 | Love And Marriage | 1:29 | 115 | A# major | 23% | 70% | 73% | 69% | 0% | 14% | 4% | -14 DB | — | — |
| 14 | Luck Be A Lady | 2:27 | 152 | G# major | 35% | 83% | 48% | 25% | 0% | 13% | 3% | -14 DB | — | — |
| 15 | My Kind Of Town - 1965 Version | 2:35 | 80 | C major | 29% | 34% | 30% | 44% | 0% | 9% | 3% | -14 DB | — | — |
| 16 | Nancy (With The Laughing Face) | 4:29 | 84 | C# major | 9% | 39% | 36% | 77% | 0% | 25% | 4% | -21 DB | — | — |
| 17 | Night And Day | 4:25 | 81 | A major | 10% | 24% | 37% | 78% | 0% | 20% | 4% | -19 DB | — | — |
| 18 | Oh! What It Seemed To Be | 2:28 | 168 | C# major | 8% | 41% | 23% | 86% | 0% | 35% | 4% | -22 DB | — | — |
| 19 | Polka Dots And Moonbeams | 4:32 | 131 | D major | 12% | 54% | 52% | 72% | 0% | 17% | 8% | -19 DB | — | — |
| 20 | Put Your Dreams Away (For Another Day) | 3:11 | 79 | C# major | 9% | 23% | 22% | 87% | 0% | 9% | 3% | -21 DB | — | — |
| 21 | Ring-A-Ding Ding | 1:08 | 79 | G minor | 25% | 84% | 73% | 63% | 0% | 8% | 28% | -17 DB | — | — |
| 22 | Softly, As I Leave You | 3:00 | 82 | B major | 19% | 58% | 38% | 73% | 0% | 12% | 4% | -16 DB | — | — |
| 23 | Soliloquy | 8:04 | 85 | C major | 16% | 42% | 39% | 86% | 0% | 15% | 5% | -17 DB | — | — |
| 24 | The House I Live In | 4:42 | 91 | C major | 10% | 44% | 43% | 83% | 0% | 28% | 5% | -19 DB | — | — |
| 25 | The Oldest Established (Permanent Floating Crap Game In New York) | 2:09 | 107 | F major | 38% | 62% | 52% | 83% | 0% | 41% | 10% | -15 DB | — | — |
| 26 | The One I Love (Belongs To Somebody Else) | 3:20 | 120 | D minor | 29% | 68% | 57% | 65% | 0% | 33% | 6% | -15 DB | — | — |
| 27 | The Second Time Around | 2:13 | 78 | C major | 14% | 19% | 21% | 83% | 0% | 16% | 3% | -16 DB | — | — |
| 28 | The September Of My Years | 3:22 | 123 | A major | 11% | 19% | 29% | 87% | 0% | 11% | 4% | -20 DB | — | — |
| 29 | The Summit | 5:14 | 116 | C# major | 93% | 4% | 48% | 64% | 0% | 70% | 92% | -15 DB | — | — |
| 30 | There Are Such Things | 2:57 | 176 | A# major | 8% | 31% | 31% | 87% | 0% | 10% | 5% | -20 DB | — | — |
| 31 | Witchcraft - 1965 Version | 2:43 | 127 | C major | 28% | 44% | 54% | 45% | 0% | 40% | 5% | -15 DB | — | — |
| 32 | Young At Heart | 3:17 | 85 | G major | 14% | 35% | 28% | 90% | 0% | 38% | 4% | -20 DB | — | — |
