RVAL053918
Songs From The Big Chair
Tears For Fears
Archive presence
- Peak archive rank
- #1
- Weeks charted
- 82
- First charted
- Apr 6, 1985
- Last charted
- Oct 25, 1986
Album mood
Energy
68%
Valence
47%
Danceability
55%
Acousticness
26%
Instrumentalness
20%
Speechiness
4%
Liveness
27%
Avg track length
5:08
Tempo map
107 BPM
Signal density
-12 DB
Tracks
| # | Title | Dur | BPM | Key | Nrg | Val | Dnc | Ac | Ins | Liv | Sp | dB | RV | Brainz |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Broken | 2:39 | 115 | D major | 79% | 86% | 54% | 1% | 7% | 45% | 3% | -12 DB | — | — |
| 2 | Broken - Richard Skinner BBC Session / London / 1984 | 3:19 | 115 | G major | 78% | 60% | 57% | 0% | 83% | 9% | 3% | -12 DB | — | — |
| 3 | Broken / Head Over Heels - Live At Massey Hall, Toronto, Canada / 1985 | 7:32 | 118 | A minor | 89% | 52% | 32% | 10% | 14% | 76% | 13% | -8 DB | — | — |
| 4 | Broken / Head Over Heels / Broken - Preacher Mix | 8:02 | 95 | G major | 67% | 63% | 37% | 11% | 11% | 96% | 4% | -11 DB | — | — |
| 5 | Broken Revisited | 5:16 | 115 | D minor | 70% | 46% | 67% | 3% | 74% | 6% | 6% | -10 DB | — | — |
| 6 | Empire Building | 2:52 | 108 | F# minor | 70% | 32% | 69% | 5% | 20% | 23% | 3% | -17 DB | — | — |
| 7 | Everybody Wants To Rule The World | 4:22 | 113 | G major | 81% | 57% | 66% | 20% | 23% | 9% | 5% | -12 DB | — | — |
| 8 | Everybody Wants To Rule The World - Extended Version | 5:41 | 112 | D major | 68% | 51% | 71% | 18% | 2% | 11% | 5% | -12 DB | — | — |
| 9 | Everybody Wants To Rule The World - Instrumental | 4:23 | 114 | G# major | 82% | 77% | 75% | 4% | 90% | 6% | 5% | -12 DB | — | — |
| 10 | Everybody Wants To Rule The World - Single Version | 4:13 | 112 | D major | 81% | 38% | 67% | 23% | 3% | 9% | 4% | -9 DB | — | — |
| 11 | Everybody Wants To Rule The World - Urban Mix | 6:02 | 111 | D major | 88% | 72% | 76% | 5% | 6% | 8% | 4% | -11 DB | — | — |
| 12 | Everybody Wants To Run The World | 4:35 | 114 | D# major | 83% | 59% | 68% | 8% | 14% | 8% | 4% | -12 DB | — | — |
| 13 | Head Over Heels - Dave Bascombe 7" N.Mix | 4:17 | 95 | G major | 74% | 67% | 62% | 32% | 0% | 10% | 2% | -8 DB | — | — |
| 14 | Head Over Heels - Hughes 7" Edit | 4:17 | 95 | G major | 72% | 66% | 62% | 50% | 1% | 11% | 3% | -6 DB | — | — |
| 15 | Head Over Heels - Richard Skinner BBC Session / London / 1984 | 4:15 | 97 | G major | 71% | 50% | 59% | 2% | 79% | 31% | 3% | -11 DB | — | — |
| 16 | Head Over Heels / Broken | 5:02 | 95 | G major | 68% | 64% | 30% | 18% | 0% | 82% | 4% | -11 DB | — | — |
| 17 | I Believe | 4:55 | 76 | D# major | 19% | 12% | 53% | 44% | 0% | 22% | 3% | -18 DB | — | — |
| 18 | I Believe (A Soulful Re-Recording) | 4:42 | 114 | D# major | 37% | 11% | 32% | 61% | 0% | 38% | 3% | -12 DB | — | — |
| 19 | Listen | 6:54 | 90 | A minor | 49% | 22% | 32% | 80% | 84% | 40% | 4% | -16 DB | — | — |
| 20 | Listen - Clean Intro | 6:52 | 89 | A minor | 50% | 19% | 24% | 82% | 43% | 18% | 5% | -13 DB | — | — |
| 21 | Mothers Talk | 5:06 | 119 | G major | 91% | 56% | 60% | 0% | 1% | 36% | 5% | -13 DB | — | — |
| 22 | Mothers Talk - Alternate U.S. Remix | 4:13 | 114 | C major | 90% | 49% | 59% | 0% | 2% | 36% | 4% | -9 DB | — | — |
| 23 | Mothers Talk - Beat Of The Drum Mix | 8:57 | 119 | F# minor | 93% | 53% | 68% | 0% | 66% | 31% | 4% | -12 DB | — | — |
| 24 | Mothers Talk - Live At Massey Hall, Toronto, Canada / 1985 | 4:05 | 118 | D major | 94% | 29% | 63% | 2% | 0% | 91% | 6% | -8 DB | — | — |
| 25 | Mothers Talk - Long Version | 6:17 | 119 | C major | 94% | 56% | 58% | 0% | 7% | 10% | 4% | -11 DB | — | — |
| 26 | Mothers Talk - Short Version | 3:55 | 119 | D major | 93% | 77% | 67% | 6% | 1% | 32% | 4% | -8 DB | — | — |
| 27 | Mothers Talk - U.S. Remix | 4:15 | 114 | E minor | 90% | 55% | 56% | 7% | 1% | 33% | 5% | -9 DB | — | — |
| 28 | Mothers Talk - Video Version | 4:47 | 114 | D major | 89% | 40% | 58% | 1% | 1% | 13% | 5% | -9 DB | — | — |
| 29 | Pharaohs - Single Version | 3:42 | 141 | F# major | 60% | 61% | 57% | 66% | 48% | 11% | 3% | -14 DB | — | — |
| 30 | Roland & Curt Interviewed | 7:36 | 116 | C major | 49% | 39% | 45% | 30% | 0% | 91% | 6% | -16 DB | — | — |
| 31 | Sea Song | 3:53 | 80 | D minor | 11% | 4% | 22% | 90% | 0% | 17% | 3% | -19 DB | — | — |
| 32 | Shout | 6:33 | 98 | C major | 93% | 51% | 51% | 18% | 0% | 12% | 4% | -11 DB | — | — |
| 33 | Shout - 7" Edit | 4:48 | 98 | D minor | 97% | 57% | 56% | 11% | 0% | 11% | 4% | -8 DB | — | — |
| 34 | Shout - A Cappella | 5:03 | 97 | G major | 24% | 48% | 61% | 85% | 0% | 45% | 9% | -13 DB | — | — |
| 35 | Shout - Alternative Version | 6:01 | 98 | C major | 97% | 46% | 55% | 10% | 0% | 35% | 5% | -7 DB | — | — |
| 36 | Shout - Extended | 8:01 | 98 | G minor | 88% | 56% | 62% | 0% | 0% | 5% | 4% | -11 DB | — | — |
| 37 | Shout - U.S. Single Edit | 4:07 | 97 | G minor | 93% | 46% | 54% | 23% | 0% | 20% | 4% | -10 DB | — | — |
| 38 | Shout - UK Version / Extended Version | 7:42 | 98 | C minor | 96% | 65% | 57% | 8% | 0% | 69% | 4% | -9 DB | — | — |
| 39 | Shout - US Dub Version | 6:48 | 98 | D# major | 78% | 30% | 70% | 0% | 2% | 13% | 5% | -12 DB | — | — |
| 40 | The Big Chair | 3:22 | 84 | G major | 29% | 36% | 60% | 56% | 18% | 9% | 3% | -18 DB | — | — |
| 41 | The Conflict | 4:04 | 147 | C major | 34% | 47% | 61% | 70% | 84% | 11% | 4% | -17 DB | — | — |
| 42 | The Marauders | 4:16 | 169 | B minor | 22% | 54% | 54% | 93% | 91% | 8% | 4% | -19 DB | — | — |
| 43 | The Way You Are | 4:56 | 66 | A# major | 58% | 41% | 55% | 2% | 0% | 23% | 3% | -11 DB | — | — |
| 44 | The Way You Are - Edit | 4:22 | 65 | D minor | 66% | 57% | 52% | 2% | 0% | 18% | 4% | -10 DB | — | — |
| 45 | The Way You Are - Extended | 7:42 | 66 | A minor | 59% | 42% | 30% | 3% | 0% | 41% | 5% | -13 DB | — | — |
| 46 | The Working Hour | 6:32 | 102 | F# minor | 55% | 27% | 51% | 5% | 4% | 20% | 3% | -12 DB | — | — |
| 47 | The Working Hour - Piano Version | 2:08 | 102 | G major | 26% | 23% | 40% | 94% | 0% | 9% | 3% | -13 DB | — | — |
| 48 | The Working Hour - Richard Skinner BBC Session / London / 1984 | 6:08 | 103 | F# minor | 64% | 41% | 57% | 0% | 54% | 10% | 3% | -11 DB | — | — |
| 49 | When In Love With A Blind Man | 2:23 | 180 | G# minor | 14% | 40% | 46% | 94% | 45% | 9% | 3% | -17 DB | — | — |